
| WATCH |

| Simply devine’ is one way to describe the soulful music of Los Angeles-based singer, Candace Devine, who has just recently released her debut album, Believe. And while the play on words may seem banal, they’re well-deserved. Fortunate enough to have discovered her talent and passion for singing early, Devine quickly found the direction needed to advance. Still in her twenties, Devine’s past credits have included writing songs for two motion pictures and working alongside both Christina Aguilera and Dave Thomas of the singing group Take 6. But despite her past success, Devine seems to have come out of nowhere with a debut album that boasts some incredibly fresh rock-infused blues and soul. From the super-infectious ‘Don’t Save Your Love’ to her remarkable interpretation of Otis Redding’s classic ‘I’ve Been Loving You Too Long,’ Devine soars amongst many of her contemporaries. Womenfolk is proud to introduce the nineteenth in its This Woman’ s Work series with the inclusion of Candace Devine. -Robbie McCown, WomenFolk.net |
| Candace Devine: Believe Singer-songstress Candace Devine has a refreshingly unique singing voice and musical style. I first heard her music via Women Folk, one of my favourite music blogs. Candace's vocals range from deep and bluesy to soaring high notes, and her music alternates between classic soul and pop-infused blues. On her album, Believe, she successfully takes on both Aretha and Otis while also showing off her own original tunes. The album opens with the sadly short "Won't You Try". Sad because just as Candace begins to unleash that amazing voice, the song ends. "Free" has a faster pace, a stronger, catchy, pop-soul beat, a bit of brass (sax, trumpet, and trombone), and back up singers that would've given The Raylettes a run for their money. "Don't Save Your Love" is another foot tappin' tune that brings both the brass and the back up choir back and allows Candace's voice to go full force. "Kissed You Again" slows it down for a guitar strummed semi-ballad. "You'll Never Break My Heart Again" has a bluesy diva sound worthy of Aretha. This is the kind of classic soul that other singers like Joss Stone try and fail to duplicate. The kind of music that I wish Joan Osborne were making. The title track "Believe" is a softer, slightly faster pop and jazz tune. The brass is back on the funky Aretha cover, "Baby I Love You". There aren't many modern singers that could take on the Queen, but Candace's attempt here is victorious. Her take is relaxed, fun, and soulful. She doesn't try too hard, because she doesn't need to. Candace's vocals hit their peak at the end of the torch ballad "Tell Me How To Stop". And again when she successfully tackles another legend with her bluesy, brassy cover of Otis Redding's "I've Been Loving You Too Long". "For Tonight" closes the album in a sweeter mood. The song showcases the softer, smoother side of Candace's voice. |